Wednesday, May 8, 2019

'There is no ... way of distinguishing the 'popular' from the 'high' Assignment

There is no ... way of distinguishing the popular from the high. ... Nor is making such a distinction of importance (Watso - Assignment ExampleThis change in the kindly hierarchy of literary productions has led to the categorical division of lit on the basis of the thematic concerns of a literary piece i.e. poplar literature and high literature. 1.1. High Literature High or elect literature is a term used for the classic pieces of literature that followed the trends and customs of eighteenth century literary style and pattern. Johnson categorizes the works of Jane Eyre, lyric poetry and Puigs works as high literature (9). 1.2. democratic Literature Newcomb states, popular literature is by definition a product of literate practices, no content how socially diverse, remote from elite norms or collective they may be (12). Hence popular literature is an anti thesis of high or elite literature. However popular literature is derived from high literature i.e. high literature formed the foundation that led to the production of popular literature. As a offspring it is impossible to distinguish one from the some other and hence in every piece of popular literature there are strains of high or elite literature. ... 2.1. First Person Narration The novel is depicted in first person narration which provides the readers with a first present account of all the implement taking place in the novel. The narration technique used in this novel is similar to Jane Austens depiction of self-complacency and prejudice. Yet at the same time the author of Rebecca does not divulge the individualism of her narrator which is an paper explored in popular literature. 2.2. Marriage Marriage is another idea that the two novels Pride and Prejudice and Rebecca explore. In the former the narrator Elizabeth as well the Jane Austen are observed to be stressing on importance of marriage and security in a womans life. On the other hand in Rebecca marriage is not symbolic of security and a necessity for women in fact du Maurier projects women as free and liberated as also observed from the narrators reaction to the marriage proposal where she says, Oh but you dont understand Its just that I, well Im, not the person men marry (32). 2.3. liberate Woman The manners in which the characters of Rebecca and the narrator are portrayed are in itself a grammatical construction of high and popular culture. Rebeccas character is portrayed as a woman who is not tho married in money but is also sexually liberated as stated in the novel, Giles went out sailing with Rebeccashe had started on him as she had done on Frankshe might get constipate of one of the workmen on the estate, someone from Kerrith, anyone she used to have this fellow Favell down to the cottage (174-175). this again is an idea that was explored in popular literature i.e. women having the freedom to do anything they want to. This also illustrates and supports feminism. Yet on the other hand the narrators shynes s and

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